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Canon EOS R5 Exterior 8K ProRes RAW Dynamic Vary Lab Take a look at – 8K With out Overheating


Canon EOS R5 External 8K ProRes RAW Dynamic Range Lab Test - 8K Without Overheating

Considering a fast dynamic vary check of the brand new Canon EOS R5 8K exterior ProRes RAW recording mode of the Canon EOS R5 utilizing an Atomos Ninja V+? And as a bonus, outcomes for the brand new Canon Log 3 mode are thrown into this text as effectively. So please sit down and skim on …

This isn’t considered one of our typical lab checks because the Canon EOS R5 has already obtained our prolonged lab check remedy, which you’ll learn up on right here. Again then inner 12 bit Canon 8K RAW in addition to inner 10 bit 8K Canon Log (H265) recording was already potential.

In the intervening time, firmware updates have introduced Canon Log 3 to the Canon EOS R5 in addition to exterior 8K ProRes RAW recording by way of HDMI utilizing the brand new Atomos Ninja V+. Sufficient causes to rapidly retest the dynamic vary with these new choices.

Dynamic vary of exterior ProRes RAW 8K recording

In case you aren’t aware of how we check dynamic vary of cameras, take a look right here.

A fast phrase on dealing with the 12bit 8K ProRes RAW recordsdata in postproduction: on an 8K timeline in PremierePro our NVIDIA GeForce RTX3090 graphics card which is on mortgage from NVIDIA (thanks) had no points dealing with the recordsdata, GPU reminiscence hovered round 10-12 GB, the load round 16%. As quickly as you begin to add noise discount, reminiscence utilization and cargo begin to skyrocket – which is to be anticipated. Primarily because of the GPU reminiscence, I like to recommend the RTX3090 card in the event you plan to complete in 8K.

The Canon EOS R5 related to the Atomos Ninja V+. Picture credit score: CineD

Plugging the Canon EOS R5 by way of HDMI into the Atomos Ninja V+, the digital camera is instantly acknowledged. Curiously sufficient, Canon Log 2 is displayed because the Gamma – we are going to use that later in PremierePro to carry RAW right into a log house for additional evaluation.

Digital camera data as displayed by the Atomos Ninja V+. Picture credit score: CineD

On the digital camera itself, the bottom ISO worth that may be chosen is ISO800 if the output is about to “HDMI RAW”. That is fascinating, as the interior RAW recording has ISO400 because the lowest ISO. ISO400 can also be the bottom ISO worth for inner H265 Canon Log recording. For Canon Log 3 the minimal ISO worth jumps as much as 800.

To this point so good. Creating the ProRes RAW recordsdata on an 8224×4336 (17:9) timeline in PremierePro utilizing Canon Log 2 because the gamma curve yields the next waveform plot:

8K ProRes RAW on an 8K timeline – the waveform plot of our Xyla 21 chart. Picture credit score: CineD

About 12 stops will be recognized above the noise flooring and a touch of a thirteenth cease inside. As will be seen from the waveform, decrease stops (i.e. shadows) are very very noisy. Curiously, the interior 8K RAW recording (at ISO400) is displaying much less noise, see our lab check right here.

IMATEST confirms this end result, very excessive ranges of noise are calculated for the decrease stops (displayed within the lowest of the three graphs under). Therefore, the dynamic vary reads solely 10.4 stops at a sign to noise ratio of two (SNR) and 11.8 stops at SNR = 1. Nonetheless, extra stops will be recognized throughout the noise flooring (above the blue 11.8 line within the center diagram). Therefore, if you’re effectively versed in postproduction, these further stops will be “excavated” from the noise flooring.

IMATEST end result for exterior 8K ProRes RAW at ISO800 for the Canon EOS R5. Picture credit score: CineD

Simply to offer you our present benchmark for dynamic vary, the ARRI Alexa Mini LF (full-frame) digital camera reads 13.5 stops at SNR = 2 and 14.7 stops at SNR = 1 in ARRIRAW. That’s 3 stops extra, see our mini-lab check right here.

Another phrase on overheating: throughout exterior 8K ProRes RAW recording by way of HDMI, if “Standby: Low Res” is about to “On” within the digital camera menu, no overheating happens anymore (whether it is set to “Off”, the well-known overheating limits apply).

Sadly, exterior recording is triggered by way of the Atomos Ninja V+. On the digital camera, the set off button is inactive.

Dynamic vary of inner 8K H265 recording in Canon Log 3 at ISO800

As talked about above, since firmware 1.3 the Canon EOS R5 permits additionally Canon Log 3 because the second LOG profile subsequent to the initially out there Canon Log. The preliminary C-Log profile confirmed a wierd conduct of “chopping off” the noise flooring, therefore limiting the dynamic vary severely. Effectively, C-Log 3 sadly is doing the identical.

Right here is the waveform plot of 8K H265 Canon Log 3 at ISO800 – about 11 stops will be recognized, in addition to a weak twelfth cease.

Waveform plot of the Xyla21 chart with inner 8K H265 C-Log 3 recording at ISO800. Picture credit score: CineD

IMATEST confirms this, 10.1 stops are calculated for SNR = 2, and 11.4 stops for SNR = 1:

IMATEST outcomes for inner 8K H265 C-Log3 recording at ISO800. Picture credit score: CineD

In comparison with the outcomes for inner C-Log (10.0 stops at SNR = 2 and 10.8 stops at SNR = 1) we do get higher readings, however not a lot. Sadly, these outcomes are on the low finish for a full-frame digital camera. The Panasonic S5 for instance reads 12.1 stops at SNR = 2 (V-Log at ISO640 in UHD decision), the Sony A1 exhibits 11.9 stops at SNR = 2 for inner 8K H265 recording (S-Log3).

Switching the Canon EOS R5 to 4k DCI full-frame recording improves the outcomes for Canon Log 3, as a result of downsampling. 10.8 stops at SNR =2 and 11.8 stops at SNR = 1 are calculated by IMATEST. Nonetheless, the Canon EOS R5 is greater than 1 cease behind its friends when it comes to dynamic vary within the mirrorless full-frame enviornment.

Abstract

8K ProRes RAW exterior recording by way of the Atomos Ninja V+ opens up limitless RAW recording capabilities on the Canon EOS R5, with out overheating points. That may be a massive enchancment.

Nonetheless, exterior ProRes RAW recordsdata are very noisy, actually “RAW”. When it comes to dynamic vary (as anticipated), the identical outcomes as with inner Canon RAW recording are obtained – shadows are a bit much less noisy with inner RAW however very comparable values are obtained on the sign to noise thresholds of two and 1.

The brand new Canon Log 3 inner Log gamma curve improves the dynamic vary with inner H265 recording slightly bit however cuts off the noise flooring as effectively. Nonetheless, I totally advocate utilizing Canon Log 3 in the event you want a extra storage-efficient inner recording answer.

Therefore if you wish to totally exploit the capabilities of the Canon EOS R5 when it comes to dynamic vary and limitless recording occasions with out overheating, there isn’t any means round utilizing exterior ProRes RAW recording by way of HDMI on the Atomos Ninja V+.

Have you ever shot with the Canon EOS EOS R5 already? What are your experiences? Please tell us within the feedback under.



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