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Inside My Digicam Bag | Jade Ferguson

I’m Jade Ferguson. Heartist, Time Traveler and Observer (aka Photographer). I’ve been chasing gentle since I used to be a youngster however didn’t absolutely realise my dream of changing into a full-time lens murderer till a string of unlucky occasions in a Covid-dominated world led me to it.

After spending over 15 years within the Promoting and Media industries as a Producer, I prefer to suppose I realized considerably by osmosis by witnessing a few of the industries finest at work.

It was solely ever a matter of time till I turned my eye to the artistic aspect, and in 2019 and after a few years of “aspect hustling” Pictures – I leaned into the darkish aspect after a closing blow of redundancy made me take my closing bow from the world of PAYG.

I’ve by no means actually subscribed to a definition by class like most photographers. As a substitute, I name what I seize Visible Poetry. I prefer to suppose that I’m a facilitator of time journey – I can join an individual to moments previous in a visceral and emotive approach by means of the press of a button. I believe that’s a fairly nifty ability to have.

My work is generally within the Performing Arts house which is a fairly area of interest space. This was grownup commencement from years of low gentle boot tenting at stay music gigs and taking pictures for media retailers which I nonetheless do for the love of it now, from time to time.

I additionally prefer to seize human beings. Doing issues. Making issues. Simply usually being themselves. Maybe it’s portraiture, or maybe it’s only a second in time that doesn’t essentially outline. Both approach, I’d contemplate my type erring on the aspect of low-key and a bit hauntingly romantic – just about how I’d describe myself actually.

I’m a Nikon gal by means of and thru. Don’t come at me along with your Canon rants. I’m a fiercely loyal human and my first foray into pictures was with a Nikon F2 movie digicam at round 16 years of age. I’ve caught by Nikon ever since and couldn’t discover it extra dependable and user-friendly.

The evolution of my gear began with my first DSLR buy. The crop sensor Nikon D90 and boy was she good to me. I took her on journeys throughout the globe and again and realized all the Nikon system inside out, she solely fell brief after I grew to become keen on shifting on from package lenses and utilizing high quality glass.

Graduating to my first full-frame sensor, the D750, I used to be blown away on the mixture of fine glass plus a full-frame. The low gentle capabilities had been the whole lot I had seen however till then couldn’t seize. That D750 physique took me by means of years of dirty, dimly-lit dive bars and I nonetheless use it as my second digicam to this present day.

I’m at the moment working with a Nikon D850 physique. Once more the choice to improve was primarily based on low gentle efficiency. Given that the majority of my work entails unknown, erratic and infrequently blended lighting situations, I wanted a responsive and dependable physique that delivers each time.


The Nikon D850 is my workhorse. She’s my major go-to for all of my work.

The Nikon D750 I exploit for my second digicam at stay exhibits. I normally chuck a large lens on this physique for the entire viewers and broad stage motion.

The Nikon F4 movie digicam is my analogue bestie. This unhealthy boy takes many of the pondering out of the equation with its auto-wind and AF choices together with its digital information panel that helps me make fast selections in varied situations.

Polaroid ImpulseOriginal 600. As a result of regardless of its exorbitant movie prices, there actually is nothing like the colors that come out of an unique Polaroid. The tactile nature of getting one thing on the spot to maintain can also be one thing that the previous romantic in me will get a bit misty-eyed and nostalgic about.


Sigma Artwork 85mm f/1.4 – My go-to for portraiture and a extremely crisp picture. I like the whole lot about this lens – its distinctive mounted focal size makes me work for the shot and I typically like to tug it out at stay exhibits for its unbeatable low gentle efficiency.

Sigma 70-200mm f/2.8 – I’m keen on the previous spy strategy to documentary-style pictures. As an introvert I like to hold again in a crowd and shoot with an extended lens, capturing candid moments. It’s not a delicate lens, however I like the truth that I can seize extraordinary particulars from a distance.

I additionally throw a 1.4x Sigma TC on this lens when I’m taking pictures close-up stage photographs. I lose a few stops of sunshine however in a high quality venue with nice stage lighting, I can afford it for the space gained.

Tamron 24-70mm f/2.8 – This child is my all-rounder. You’ll be able to’t beat the flexibility of a 24-70 for many events. Nice for masking a whole room at a present and for grabbing some extra intimate moments. If I might solely take one lens travelling with me, this must be it.

Sigma 50mm f/1.4 – Everybody wants a nifty fifty and this Sigma is certainly a beaut. I like it for its sharp pictures and f/1.4 functionality. A fantastic 50mm to personal.

Tokina 11-16mm f/2.8 – The oddball of the bunch. This was a last-minute buy earlier than a global journey the place I’d have the prospect to find and experiment with astrophotography. It’s in my package solely for this objective however I’ve surprisingly used it for some bigger venues and on sweeping landscapes for a dramatic impression. The vignetting on this isn’t nice although.


Godox DP400III Studio Flash – A very dependable studio strobe that I exploit for indoor portraiture and product work. I reviewed this for Shotkit earlier this yr when you’d prefer to learn extra right here

Godox X Professional (N) Flash Set off – Paired with the Godox DP400III for a dependable and quick fireplace.

Nikon SB900 Speedlight – For indoor scenes and occasion opening nights. Sometimes I exploit it off digicam for studio portraiture.

Gary Fong Lightsphere – At first I used to be skeptical in regards to the Gary Fong Lightsphere nevertheless it has confirmed time and time once more to supply a really naturally flattering flash bounce that has saved some not-so picturesque indoor scenes.

Yongnuo Common Flash Set off – Common. Simple to make use of. Nuf’ mentioned.

Phottix M200R RGB Mild – This pretty current addition to my package has been somewhat lifesaver. A helpful little moveable further supply of steady gentle for these sudden conditions. I additionally dig the complete spectrum color functionality if I’m feeling artistic.


Fortunate Straps personalised Leather-based Neck Strap – For singular use.

Holdfast Digicam Swag – For twin rigs.


Manfrotto BeFree is my go-to journey tripod. Its gentle, moveable and durable and the ball head mechanism is fluid and extremely useful.

{Hardware} & Software program

Photograph Mechanic – For culling, it accelerates the processing time tenfold. I’m additionally at the moment trialing Narrative Choose for culling and loving it up to now.

Adobe Digicam Uncooked – For processing.

Adobe Lightroom -For almost all of my enhancing.

Alien Pores and skin Publicity X6 – For the extra artistic of my edits.

Adobe Photoshop – For ending touches. I don’t use it loads, I’m completely high quality with flaws.

I don’t use presets. I’ve tried a lot of them through the years and I discover them to be very limiting and development pushed. My work calls for consideration to element and I can’t simply have a one-size-fits-all strategy to pictures. In any case, the lighting situations are completely different each time.

I actually imagine that a part of growing one’s personal type comes from studying how one can edit your pictures the way in which you need them to feel and appear. Presets cease this course of proper in its tracks and I extremely advocate NOT utilizing them and discovering your personal strategy.

I save my very own unique edits as presets to maintain a selected type constant throughout consumer work, nevertheless, I undoubtedly don’t use the identical look throughout all of my shoppers and I adapt my edits to go well with the specified outcomes.


By no means go away residence with out earplugs and a spare absolutely charged battery.

If I by no means did it, I by no means would have accomplished it. Simply get on the market, get taking pictures, get good, get unhealthy, get higher. However by no means cease. At some point you’ll look again and see how far you’ve come and thank your self for beginning if you did. Oh, and break all of the mom flipping guidelines – trigger that’s precisely what they’re made for. | @visualpoetssociety

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